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█ (RELEASE INFO) ████ RELEASE DATE: 10/10/2006
█ ▓▓ ▐███▌ SiZE iN MB : 01 x 1.44MB
█ ██ FONT NAME : AMOR SERIF
█ ██ PUBLISHER : Storm
█ ██ PRIZE : $226 TYPE : OpenType
█ ▓▓ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ██▌█
█ (RELEASE NOTES) ██ █
█ ▓▓ ██ █
█ ██ Antique monumental incriptional majuscule, originally carved ██ █
█ ██ in stone, and sometimes called "Roman Capital", is the origin ██ █
█ ██ of the upper-case part of our latin alphabet. Its narrowed ██ █
█ ██ form, derived from handwritten originals used between the ██ █
█ ██ first to third century A. D., served as the inspiration for ██ █
█ ██ the Mramor typeface, which I drew with ink on paper in 1988 ██ █
█ ██ under Jan Solpera's leadership. ██ █
█ ██ ██ █
█ ██ After composing negative letters on a strip of film it was ██ █
█ ██ possible to use Mramor with the early phototypesetting ██ █
█ ██ devices. In 1994 with the help of Macintosh IIvi I added the ██ █
█ ██ lowercase letters and bolds, and issued this typeface as ██ █
█ ██ 14-font family. After some years of using Mramor for various ██ █
█ ██ purposes, I realized a need of modernization and humanizing ██ █
█ ██ its very fragile appearance, as well as removing numerous ██ █
█ ██ decorative and useless parts. Besides that, type design made a ██ █
█ ██ huge technical progress in past few years, so I was able to ██ █
█ ██ finish the remaining approximately 9600 glyphs contained in ██ █
█ ██ the present font system names Amor. ██ █
█ ██ ██ █
█ ██ It is already usual to combine sans and serif fonts within one ██ █
█ ██ family in order to distinguish (e. g. in a book) historical ██ █
█ ██ part from contemporary, a plain chapter from a special one, ██ █
█ ██ or, in quotations, to divide speaking persons. Sans-serif ██ █
█ ██ typefaces don't arise by simple removal of serifs; they have ██ █
█ ██ to be drawn completely separeately, when ocasionally many ██ █
█ ██ declined forms may be made, considered to the serifed ██ █
█ ██ original. ██ █
█ ██ ██ █
█ ██ Nevertheless, both parts of this type system appear ██ █
█ ██ consistent as for proportional, aesthetic and emotional ██ █
█ ██ atmosphere. ██ █
█ ██ ██ █
█ ██ Usage of type is often closely linked to its original ██ █
█ ██ inspiration, in this particular case with architecture and ██ █
█ ██ figurative sculpture. An inner ôorderö was also text setting ██ █
█ ██ in smaller sizes. A smooth scale of weights enriches the ██ █
█ ██ possibilities in designing of magazines, brochures, exposition ██ █
█ ██ catalogues and corporate indentity. Economizing, but opened ██ █
█ ██ shape of characters is well legible and antiqueinto play after ██ █
█ ██ longer reading. ██ █
█ ██ ██ █
█ ██ ██ █
█ ▓▓ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ██ █
█ (GROUP INFO) ██ █
█ ▓▓ ██ █
█ ██ Founded in 2004, SCRIPTUM is trying to bring you both, the ██ █
█ ██ most expensive and the finest fonts available. All of our ██ █
█ ██ members are in the scene for a long time and share many years ██ █
█ ██ of experience. Through our close contact to other font ██ █
█ ██ releasing groups, we can always make sure that our releases ██ █
█ ██ are unique and the best that the scene has to offer. ██ █
█ ██ ██ █
█ ██ We're currently looking out for: ██ █
█ ██ - People who can get their hands on latest font releases ██ █
█ ██ - Suppliers that can supply us with something useful ██ █
█ ██ - HQ Sites ██ █
█ ██ ██ █
█ ██ E-Mail: scriptum(at)email.com ██ █
█ ██ ██ █
█ ▓▓ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ██ █
█ (GREETINGS TO) ██ █
█ ▓▓ ACME DEV DWP EQX F4CG LCD Lz0 META ██ █
█ ██ ██ █
█ ██ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ██ █
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