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TYPE FOUNDRY : Jeremy Tankard Typography
FONT NAME : Aspect
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███ - -(x)- R E L E A S E i N F O -(x)- - ███
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▓ ░ ▓▓▓ SUPPLiER: TEAM TYPO RELEASE DATE: 9/9/2005 ▓▓▓ ░ ▓
▓ ░ ███ PACKAGER: TEAM TYPO TOTAL DISKS : 01 X 2.88MB ███ ░ ▓
▓ ░ ▓▓▓ PRiCE : ú125.00 TYPE : OpenType/CFF ▓▓▓ ░ ▓
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▓ ░ ███ The concept behind Aspect was to produce an upright script ███ ░ ▓
▓ ░ ███ typeface. Understanding of the term script varies. It can ███ ░ ▓
▓ ░ ███ refer to an individual writing style of ███ ░ ▓
▓ ░ ███ any kind, writing informed by a cursive or flowing ███ ░ ▓
▓ ░ ███ construction and especially as practised by the writing ███ ░ ▓
▓ ░ ███ master, or the informal brush script of the ███ ░ ▓
▓ ░ ███ commercial lettering artist. To take even the most specific ███ ░ ▓
▓ ░ ███ idea of a script - as a series of letter or typeforms ███ ░ ▓
▓ ░ ███ following a flowing construction - is then ███ ░ ▓
▓ ░ ███ further riddled with difficulty. When does a calligraphic ███ ░ ▓
▓ ░ ███ form become a typographic form? ███ ░ ▓
▓ ░ ███ ███ ░ ▓
▓ ░ ███ - Aspect sketchbook ███ ░ ▓
▓ ░ ███ The process of translating written forms into the ███ ░ ▓
▓ ░ ███ typographic medium is not as straighforwardly imitative as ███ ░ ▓
▓ ░ ███ it might seem. The first so-called italic ███ ░ ▓
▓ ░ ███ typeface was produced in 1501 in Italy. Cut by Francesco ███ ░ ▓
▓ ░ ███ Griffo for the printer/publisher Aldus Manutius and based ███ ░ ▓
▓ ░ ███ on the writing of the humanist scribes, it ███ ░ ▓
▓ ░ ███ was intended as an independent text face for pocket-sized ███ ░ ▓
▓ ░ ███ books. Yet, over time as typographic tastes changed, italic ███ ░ ▓
▓ ░ ███ types came to be used in an ███ ░ ▓
▓ ░ ███ increasingly auxiliary role to that of roman text types. ███ ░ ▓
▓ ░ ███ Eventually italics were to lose many of their written ███ ░ ▓
▓ ░ ███ features and made to formally harmonize with ███ ░ ▓
▓ ░ ███ roman styles. ███ ░ ▓
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▓ ░ ███ To preserve the sense of the calligraphic within this ███ ░ ▓
▓ ░ ███ typeface Aspect introduces many alternate character forms ███ ░ ▓
▓ ░ ███ reflecting the formal diversity of writing. ███ ░ ▓
▓ ░ ███ In fact the freedom of approach adopted during the early ███ ░ ▓
▓ ░ ███ design stages of Aspect has resulted in some intriguing ███ ░ ▓
▓ ░ ███ character variations and combinations with ███ ░ ▓
▓ ░ ███ well over 200 single and ligatured forms on offer. ███ ░ ▓
▓ ░ ███ ███ ░ ▓
▓ ░ ███ - Ligature development ███ ░ ▓
▓ ░ ███ These many unusual and unique forms all add to the ███ ░ ▓
▓ ░ ███ distinctive appearance of Aspect. Yet, Aspect can still be ███ ░ ▓
▓ ░ ███ used in a more traditional manner by setting ███ ░ ▓
▓ ░ ███ text with only the standard character forms and the basic ███ ░ ▓
▓ ░ ███ ligatures such as fi and fl. Or customization of a text ███ ░ ▓
▓ ░ ███ might be limited to the considered use of a ███ ░ ▓
▓ ░ ███ single special character. From simple finial forms and ███ ░ ▓
▓ ░ ███ swashes through to incredibly elaborate ligatured swashes, ███ ░ ▓
▓ ░ ███ Aspect certainly offers huge flexibility ███ ░ ▓
▓ ░ ███ and if you should choose to pursue a more exotic design ███ ░ ▓
▓ ░ ███ path, it is clear to see the many creative possibilities ███ ░ ▓
▓ ░ ███ readily available. ███ ░ ▓
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▓ ░ ███ More info: ███ ░ ▓
▓ ░ ███ http://www.typography.net/type/aspect.htm ███ ░ ▓
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▓ ░ ███ SiGNMAKER - DIVXFACTORY - PR0NSTARS ███ ░ ▓
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